Artists and Radicalism in Germany, 18901933
Reform, Politics and the Paradoxes of the Avant-Garde Artists and Radicalism in Germany, 1890-1933 traces the evolution of the German applied arts movement from 1890 through the interwar period, offering a fresh perspective on the role of radicalism and avant-garde labor in the history of modern art.
More than twenty years after the collapse of the Berlin Wall and the disappearance of Marxism as a (supposed) state ideology, this peer-reviewed book series attempts to meet the need for a serious and long-term Marxist book publishing program by releasing original monographs, newly translated texts, and reprints of "classics."
The book reveals how reforms in artistic and vocational education intersected with the professional politics of radical artists and the nature of intellectual labor. Challenging conventional views, Nikos Pegioudis reinterprets the conflict between modern art's advocates and opponents, arguing that professional politics—not merely political ideologies—shaped the historical avant-garde. In doing so, Artists and Radicalism casts new light on German modern art and its interpreters.
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Reform, Politics and the Paradoxes of the Avant-Garde Artists and Radicalism in Germany, 1890-1933 traces the evolution of the German applied arts movement from 1890 through the interwar period, offering a fresh perspective on the role of radicalism and avant-garde labor in the history of modern art.
More than twenty years after the collapse of the Berlin Wall and the disappearance of Marxism as a (supposed) state ideology, this peer-reviewed book series attempts to meet the need for a serious and long-term Marxist book publishing program by releasing original monographs, newly translated texts, and reprints of "classics."
The book reveals how reforms in artistic and vocational education intersected with the professional politics of radical artists and the nature of intellectual labor. Challenging conventional views, Nikos Pegioudis reinterprets the conflict between modern art's advocates and opponents, arguing that professional politics—not merely political ideologies—shaped the historical avant-garde. In doing so, Artists and Radicalism casts new light on German modern art and its interpreters.
