Mauricio Kagel: Acustica
Mauricio Kagel's 'Acustica' (1968-70), composed for experimental sound-producers and loudspeakers, stands among his most ambitious and radical works. Combining electroacoustic tape material created at WDR with acoustic performances on roughly 200 graphic-score cards, it embodies Kagel's idea of instrumentales Theater - where sound, gesture, and performer presence merge into a single dramatic and musical act. The work explores an expanded field of musicality, using invented instruments and found objects to free sound from traditional performance conventions.
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Mauricio Kagel's 'Acustica' (1968-70), composed for experimental sound-producers and loudspeakers, stands among his most ambitious and radical works. Combining electroacoustic tape material created at WDR with acoustic performances on roughly 200 graphic-score cards, it embodies Kagel's idea of instrumentales Theater - where sound, gesture, and performer presence merge into a single dramatic and musical act. The work explores an expanded field of musicality, using invented instruments and found objects to free sound from traditional performance conventions.
